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Sharpe was working as a fan of the genre, trying to imitate the gameplay flavour that he very much liked, but his relative inexperience in the genre does show in the final product, both in the gameplay and, especially, the level design. While engaging for the most part, Zombies features some design hiccups that feel more like bugs (not the horror kind unfortunately) than deliberate choices by the developers, hindering the player with lightly sprinkled frustration that – in the course of the many levels featured – does tend to add up over time. The plants in Zombies grow spines out of the ground at a breakneck pace, thus speed – as opposed to careful planning – is the key to save the victims before the entire level gets overgrown by the mutant plants. Most memorable, the level where the player can go anywhere without locked doors or keys to collect, but the terrain is crawling with mutant plants. Basically, every trick in the book is used, while still remaining inside the limited gameplay framework of an action arcade title. Sharpe designed the first 20 levels to be as varied as possible, as to hook the player, then allowed for some repetition. Since the core gameplay is basically that of a top-down arcade shooter, exploration and fighting with limited resources will take most of the player’s time, thus level design becomes essential in order for things to not get repetitive. Resource management does definitely play a part in keeping the main characters alive, planning ahead is always recommended. Potions help the most during a boss fight or a hard stage, even though they all have very random (and unpredictable) effects: from transforming the player into a hulking invulnerable beast to halving health points. These have a separate inventory slot from weapons: some help during combat, like Bozo the inflatable clown which will attract enemies with his irritating laugh. Each weapon is particularly effective against certain enemies, even though there are some, like forks or ice creams that, while generically useful, never seem to help in a pinch.Īlong with collecting weapons and health restoring items, there’s several other pickups in the levels. Our heroes have a whole arsenal at their disposal, ranging from wacky weapons like a magical fire ankh, bunches of tomatoes or a fire extinguisher that freezes enemies, to more serious ones like a bazooka. Should all of them be killed, that will mean an instant game over. In each level, the exit door will appear only when a minimum number of neighbors has been saved. Using the radar, the players are tasked with exploring the level looking for neighbours to save, finding keys to open locked doors, ransacking cupboards and chests to find weapons and health restoring items. The boss stages don’t play any different from ordinary levels, the player is still required to save neighbors to finish them. With so many levels to be completed, even though some require a couple of minutes to finish, Zombies is not a short game by any means.
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Most of the enemy roster is lifted from classic 50s and 60s shlock b-movies, plus some slasher classics from the 80s, along with spoofing their titles in the screens between stages.
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The player has the option to choose between two characters, Zeke or Julia, leading them through fifty different levels filled with all kinds of horror characters: zombies, mummies, vampires, serial killers with chainsaws, etc.
It always plays things for laughs, never going overboard with blood and guts, ZAMN never really goes beyond the limits of a family friendly horror experience a là Monster Squad. In a similar vein to Haunting on the very same Sega console, Zombies (or ZAMN) is a horror experience through and through, sharing a similar approach to its theme.
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Designed by Robotron and Smash TV fan Mike Ebert with Dean Sharpe as the lead programmer, Zombies Ate My Neighbors! was originally released in 1993 for both major 16bit consoles of the time, Super Nintendo and Sega Genesis.
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